Music industry – Wild Textile World http://wildtextileworld.com/ Mon, 27 Jun 2022 20:10:51 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.3 https://wildtextileworld.com/wp-content/uploads/2022/01/icon-2022-01-28T124702.041-150x150.jpg Music industry – Wild Textile World http://wildtextileworld.com/ 32 32 “The music industry in Ghana is a disgrace” – Shatta Wale https://wildtextileworld.com/the-music-industry-in-ghana-is-a-disgrace-shatta-wale/ Mon, 27 Jun 2022 09:15:00 +0000 https://wildtextileworld.com/the-music-industry-in-ghana-is-a-disgrace-shatta-wale/ Shatta Wale attributes her success to music Sarkodie says Ghana’s music industry is not supportive enough Unhealthy competition among Ghanaian musicians is killing the industry, says Bosom P-Yung Self-proclaimed ‘Dancehall King’, Shatta Wale has described the Ghanaian music industry as a disgrace; one not worth celebrating. The ‘On God’ hitmaker explained that the music industry […]]]>

Shatta Wale attributes her success to music

Sarkodie says Ghana’s music industry is not supportive enough

Unhealthy competition among Ghanaian musicians is killing the industry, says Bosom P-Yung

Self-proclaimed ‘Dancehall King’, Shatta Wale has described the Ghanaian music industry as a disgrace; one not worth celebrating.

The ‘On God’ hitmaker explained that the music industry in Ghana is not designed to facilitate the success of musicians and their craft. Although he is one of the personalities to have excelled in the music industry, Shatta Wale attributed his achievement as a musician to the internet and his many followers.

“The internet made me and I’m proud to say. Ghanaian music itself is a disgrace to the world… Nonsense talk,” Shatta Wale explained in a post on Twitter.
The musician called on his peers to learn from him as he is the only person in the music industry on the right path to success.

He said, “I’m not your normal musician for you to tell me things you think are right, all of you in this insane shitty industry are on the wrong path, I’m the only one on the right path.. Start to learn because your head is big enough for common sense.. Foolish boys on Twitter…” (sic)

The “Dancehall King” is not the only Ghanaian musician to speak ill of the music industry. In a recent interview on ‘Podcast and Chill with MACG’ in South Africa, Ghana’s most decorated rapper Sarkodie mentioned that compared to neighboring countries like Nigeria, the entertainment industry is not supportive enough .

On his part, rapper Bosom P-Yung said that the music industry is not growing because of the unhealthy competition that exists among Ghanaian musicians.

The ‘Ata Adwoa’ hitmaker is of the opinion that for the industry to grow, such competition should rather be with non-Ghanaian artists than within.

Check out Shatta Wale’s tweets

Meanwhile, GhanaWeb is accepting nominations for the prestigious GhanaWeb Excellence Awards – Youth Edition.

Watch how you can nominate from the video below.

]]>
Nik Nocturnal Takes Music Industry Shot On New Trap Metal Song https://wildtextileworld.com/nik-nocturnal-takes-music-industry-shot-on-new-trap-metal-song/ Sun, 26 Jun 2022 15:04:43 +0000 https://wildtextileworld.com/nik-nocturnal-takes-music-industry-shot-on-new-trap-metal-song/ It’s not easy to make it in the music world, although Nik Nocturnal has steadily grown its fanbase by offering a new take on metal through its successful YouTube channel. Still, Nocturnal has seen some of the pitfalls of the music industry, and he’s tackling them head-on in the new song “Industry” he’s releasing under […]]]>

It’s not easy to make it in the music world, although Nik Nocturnal has steadily grown its fanbase by offering a new take on metal through its successful YouTube channel. Still, Nocturnal has seen some of the pitfalls of the music industry, and he’s tackling them head-on in the new song “Industry” he’s releasing under his trap metal moniker, Nik Nxk.

The song finds Nik paired with Corpse producer deadwait, exploring the deeper guttural range of his vocal ability as the aggressive trap metal track pulls no punches as it unleashes its target. Simply put, Nik has something to say about the exploitative practices he witnessed.

“‘The Industry’ isn’t aimed at anyone in particular. It’s just the long history of artists being completely destroyed by parts of the music industry – making them give up whatever unique talent and potential they have. to live their dream – in exchange for broken promises that further cement the industry’s power over artists,” says the musician.

Nik Nxk puts it right on the bat line, belt,”Fuck the industry / I don’t wanna be just another name lost in a spreadsheet / Fuck the industry / Double me / Once you see it you’ll believe you won’t disagree .

Take a closer look at the lyrics and video below and if you like what you hear, the track is available here. Additionally, Nik Nocturnal products are available here.

Nik Nxk, “Industry” Lyrics

Fuck the industry, I don’t wanna be
Just another name lost in a spreadsheet
Fuck the industry, come back on me
Once you see it, you’ll believe you won’t disagree

Fuck the industry, I don’t wanna be
Just another name lost in a spreadsheet
Fuck the industry, come back on me
Once you see it, you’ll believe you won’t disagree

Sign a pact with the devil just to get on their level
To offer blood, sweat and tears in exchange for lost years
Take everything you’ve worked for and want to create
Make Money From Music You Can’t Identify

Pretending virality is a formality mentality fucked up far from reality
The name of the game is unoriginal, download a TikTok to mark a fatality
I CANNOT DO THIS…
MORE

Fuck the industry, I don’t wanna be
Just another name lost in a spreadsheet
Fuck the industry, come back on me
Once you see him, you’ll believe he lives in misery

You won’t disagree
Double back on me

FUCK THE INDUSTRY
LIVE IN MISERY

FUCK THE INDUSTRY
LIVE IN MISERY
FUCK THE INDUSTRY
LIVE IN MISERY

Nik Nxk, “Industry”

12 rappers inspired by rock music

]]>
Spreading the magic in the music industry, Romeo Mputu releases a new song “Open and Close” https://wildtextileworld.com/spreading-the-magic-in-the-music-industry-romeo-mputu-releases-a-new-song-open-and-close/ Thu, 23 Jun 2022 17:56:07 +0000 https://wildtextileworld.com/spreading-the-magic-in-the-music-industry-romeo-mputu-releases-a-new-song-open-and-close/ Romeo Mputu has been in the music industry for a few years now. He started writing songs at an early age and gradually managed to sing professionally and land successful contracts. Her latest single “Open and Close” is the epitome of her versatile singing style. UNITED STATES – Climbing the ladder of the music industry, […]]]>

Romeo Mputu has been in the music industry for a few years now. He started writing songs at an early age and gradually managed to sing professionally and land successful contracts. Her latest single “Open and Close” is the epitome of her versatile singing style.

UNITED STATES – Climbing the ladder of the music industry, Romeo Mputu is a talented artist. Romeo Mputu uses a mix of trending and pop music to create refreshing songs. Her songs are loved by her fans all over the world as they are enjoyable and create happy vibes. Recently, Romeo Mputu released a new song, titled Open and Close. This new song won the hearts of a large audience.

Romeo Mputu’s latest song, Open and Close is trendy and upbeat. He used a combination of different singing styles to create something different and better for the music industry. That’s what Romeo has been doing since he started singing. Romeo is an artist who wants to be different in his singing style, setting him apart from others.

During his career as a professional singer, Romeo Mputu signed many agreements and contracts. Romeo is an internationally renowned artist who has performed in renowned venues. Some of his most notable performances include places like Africa including DRC, South Africa, Zimbabwe, Zambia and Lesotho. Additionally, he has toured and broadcast his music magic to thirty states in the United States. Romeo’s notable appearances in the United States are the Grammy Awards in New York and the Harley Week Festival.

Speaking of his latest song Open and Close, Romeo said, “Open and Close is a must for people who love trendy, vibrant and lively songs. This song will capture the hearts of listeners like no other. My team and I worked hard to create this song and make it as polished as possible. I try to bring peace, love and happiness to this world with my songs, and I hope Open and Close will be a gateway to that.

About Romeo Mputu:

Romeo Mputu is a talented singer, songwriter, composer and music promoter. Romeo’s outstanding performances have earned him the fame and recognition he deserves. Romeo is determined to keep producing amazing songs that connect with people.

Media Contact
Company Name: Romeo Mputu
Contact person: Media Relations
E-mail: Send an email
Country: United States
Website: https://www.youtube.com/watch?v=3CSeRXPke6E

]]>
Commission committed to overhaul music industry copyright — DG https://wildtextileworld.com/commission-committed-to-overhaul-music-industry-copyright-dg/ Thu, 23 Jun 2022 07:18:20 +0000 https://wildtextileworld.com/commission-committed-to-overhaul-music-industry-copyright-dg/ NNN: The Nigerian Copyright Commission (NCC) has reaffirmed its commitment to work with national and international stakeholder groups to overhaul the copyright side of the music industry. The chief executive of the commission, Dr John Asein, said so in a statement in Abuja on Wednesday during the commemoration of World Music Day 2022 with the […]]]>

NNN: The Nigerian Copyright Commission (NCC) has reaffirmed its commitment to work with national and international stakeholder groups to overhaul the copyright side of the music industry.

The chief executive of the commission, Dr John Asein, said so in a statement in Abuja on Wednesday during the commemoration of World Music Day 2022 with the theme: “Music at Intersections”.

latest nigerian news

Asein said the commission would strengthen its regulatory and enforcement mandates to ensure that rights holders benefit more from the global exploitation of their works.

latest nigerian news

“As we join in celebrating this year’s World Music Day, the Commission renews its commitment to work with national and international stakeholder groups to reshape the copyright side of the music industry. music.

This “will strengthen its regulatory and enforcement mandates to ensure that rightsholders benefit more from the global exploitation of their works.

“The commission will continue to support music-licensed collective management organizations (CMOs) to better enforce rights, monitor uses and collect revenues owed to them while insisting on reasonable tariffs, good governance, accountability and a fair distribution of royalties to rightsholders.’

The chief executive said the commission facilitates discussions between the Musical Copyright Society of Nigeria (MCSN), as the licensed CMO for music, and the DeeJays Association of Nigeria (DJAN).

According to him, this is in line with the commission’s policy of supporting CMOs and bridging the gaps between volume of use and royalty collections.

He added that similar interventions would be extended to other approved CMOs in other sectors to promote win-win outcomes.

“The Commission will also revise the Copyright Regulations 2007 (CMO) to address new challenges at intersections, in line with local realities and global best practice.

“Finally, as we reflect on music at various intersections, the Commission urges all approved CMOs to adopt technology-based solutions in the monitoring, collection and distribution of royalties.

“They must also subscribe to acceptable standards of transparency, accountability, effective management, good corporate governance and compliance with the law.

“These will help address any impediments to the steady inflow of revenue for the rights holders they represent,” Asein said.

According to him, the first duty of a responsible CMO is to help rightsholders derive more from the use of their works and to provide a legally safe space for users to maximize their exploitation of these works through the payment of royalties. agreed.

He said the copyright ecosystem must promote a healthy and balanced symbiotic relationship that would grow the industry for the greater good of the majority.

“On this upbeat note, I wish all musicians, producers, service providers, music enthusiasts and all music lovers a wonderful World Music Day 2022,” the CEO said. (

NewsSourceCredit: NAN

www bet9ja shop com

]]>
Executives used as bait and trainees cast aside – UK music industry must do better on race | Music https://wildtextileworld.com/executives-used-as-bait-and-trainees-cast-aside-uk-music-industry-must-do-better-on-race-music/ Wed, 22 Jun 2022 10:44:00 +0000 https://wildtextileworld.com/executives-used-as-bait-and-trainees-cast-aside-uk-music-industry-must-do-better-on-race-music/ Bthe lack of musical creativity bled like dye through the fabric of the UK, painting it in colors it had never known before. He rang out at jungle raves in the 90s, draped himself in designer prints and champagne at garage dances, partied to funky house in the mid-2000s, and wove English with Patois and […]]]>

Bthe lack of musical creativity bled like dye through the fabric of the UK, painting it in colors it had never known before. He rang out at jungle raves in the 90s, draped himself in designer prints and champagne at garage dances, partied to funky house in the mid-2000s, and wove English with Patois and Yoruba on Afrobeats. Colloquialisms and bits of black dialect come out of every British teenager’s mouth, often via music, with phrases like ‘wagwan’ and ‘peng’ dotting British slang, changing the sound of the country without a full understanding of the origins.

Our music told the story of the times, from Steel Pulse’s Handsworth Revolution to Dizzee Rascal’s Boy in Da Corner, and black music can convey the language of resistance, sadness and joy for others become fluid: Lethal B’s Pow! (Forward), released in 2004, became the unofficial anthem when young people took to the streets of Westminster in 2011 to protest rising tuition fees. Black people became adept at expressing themselves through a medium that could never be totally stolen from us, even as it was later appropriated and monetized by white musicians and businesses.

Digga D performing in 2021. Photography: Dave Burke/REX/Shutterstock

But despite the strength of black music in the social literature, as well as the dominance of the dancefloor, genres such as garage and drill are often reviled, and black artists see their songs and videos de-platform and live opportunities blocked by the authorities; our successes can be stifled, despite apparent commercial success. pow! has been banned from numerous clubs, and more recently rapper Digga D has been linked to an order of oppressive criminal behavior in an unprecedented way. It has been claimed that by limiting his lyrical content, as well as who he associates with and where he can go, the CBO would steer him away from the lure of a criminal lifestyle.

The larger backdrop is that for those of us in the black diaspora, although many of our cultures and dialects have remained remarkably intact after centuries of empire, what we have lost is immeasurable. The burning of books and scriptures and the decay of our civilizations – Britain is still full of artefacts which have yet to be repatriated to the countries from which they were taken – have meant that the true scale of our heritage is irreparably distorted. Being disconnected from your identity in this way allows self-doubt, low self-esteem and displacement to set in, and can restrict how big we dare to dream and what we believe is rightfully ours.

Black culture is also one of the most imitated, exploited and monetized in the world, and often masked by non-blackness – where the lines are blurred just enough to cling to the credibility of its creators without having to give them credit, as with the Rolling Stones and Led Zeppelin draw inspiration from African-American blues artists. Lulu’s cover of The Isley Brothers Shout in 1964 is a great example of how white female artists were able to take advantage of the blue-eyed soul, and echoes of Motown and Stax can be heard in catalogs of other stories. British female hits such as Joss Stone, Duffy, Amy Winehouse and Adele, all more commercially successful than their black British soul peers.

For black music professionals behind the scenes as well, being able to achieve and maintain an upward career trajectory remains a real challenge compared to their white peers: are black despite the cultural dominance of diverse styles rooted in the culture who remain hugely popular,” UK Music’s 2020 Diversity Report revealed.

Komali Scott-Jones.
Komali Scott-Jones. Photography: Kee Visions Ltd

For those moving up the ranks, the Black Music Coalition, which I co-founded in 2020, has heard first-hand accounts of overt racism and microaggressions in the UK music industry, and these cases have led some black professionals to choose to find success outside the UK. Manager and publisher Tim Blacksmith, who received an MBE for his services to music in honor of the Queen’s Jubilee, recently spoke about the lack of UK investment in young black music entrepreneurs and described it as a “sad indictment” that because of this he could not have achieved the success he was able to achieve in the United States.

It is also not uncommon for black executives to report being used as bait by record labels to attract the most exciting black talent, only to be pushed aside when high-level decisions are made and fame rises. is claimed. This leaves black artists at the mercy of teams that have a limited understanding of their culture and identity, often imprinting them with a version of blackness deemed acceptable to the masses.

Despite this still hostile environment for creatives and executives, black music continues to thrive in the mainstream. Stormzy’s portrait hanging in the National Portrait Gallery denies the idea that there are spaces we are not meant to be in; Dave selling nights at the O2, seven years after his introduction to the scene, silences the cynical voices that said British rap was a fad. Inflo, who has helmed multi-genre albums from Adele to Little Simz, has inspiringly become the first black producer of the year to win the Brit Awards this year, and his commitment to creating positive change is evident in his recent plan to introduce a minimum royalty rate for young black producers within the major label system.

Black British songwriters write hits across all genres: Jin Jin for Jess Glynne and David Guetta; Camille Purcell writes Black Magic and Shout Out to My Ex for Little Mix. Talented producers such as Detonate churn out records for pop stars and indie bands, including Snuts’ Zuckerpunch and End of the Road (the latter featuring Rachel Chinouriri, an emerging black artist making her mark in the alternative world ). UK black-owned platforms such as No Signal are bringing our black music across the diaspora. In the wake of the seismic shift of 2020 and amplified global movements including Black Lives Matter and The Show Must Be Paused, the cries against anti-Black racism are loud and clear.

What needs to follow is proper training of talented black staff, identifying those who will be a future asset to these companies rather than leaving them behind after a year-long internship or a plateau as consultants. There also needs to be more recruitment and promotion to the next level for black professionals in the industry, and the industry needs to recognize that the skills of these professionals go beyond simply working with or understanding black artists. or black music.

Whether on social media or through traditional publications, we need to publicly celebrate black diversity of thought, black variety in career paths, and black self-determination. The cultural and commercial value that black music, artists and professionals bring to UK industry must be documented and recognized after black squares are posted on social media.

As the Black Music Coalition celebrates its second anniversary, we are more determined than ever to hold the industry accountable for delivering on the promises many made in June 2020. Our ongoing work will help measure the changes made so far and how far we have to go. to actualize the equality – and fairness – that black artists and executives seek and deserve.

]]>
Wendy Shay condemns betrayal in Ghana’s music industry https://wildtextileworld.com/wendy-shay-condemns-betrayal-in-ghanas-music-industry/ Tue, 21 Jun 2022 15:22:38 +0000 https://wildtextileworld.com/wendy-shay-condemns-betrayal-in-ghanas-music-industry/ For her, this observation is disturbing and as such, she indicated that any artist who has excelled in the industry for more than a decade deserves enormous respect. “You blow up on Monday, they want you out on Tuesday. This music thing ain’t easy. Nuff respect to all the artists who did it for 10 […]]]>

For her, this observation is disturbing and as such, she indicated that any artist who has excelled in the industry for more than a decade deserves enormous respect.

“You blow up on Monday, they want you out on Tuesday. This music thing ain’t easy. Nuff respect to all the artists who did it for 10 years and still do it…you all survivors,” she said in a tweet.

The singer promotes her new single, Survivor recently.

Wendy Shay, officially known as Wendy Asiamah Addo, is one of the few female artists to come strong despite the constant verbal attacks she has been under on social media.

The bullying she has witnessed on social media is due to most people accusing her of trying to emulate the late Ebony Reigns.

Last year, after continuously suffering from cyberbullying, she shared a video of a woman who had been cyberbullied in the past and said she would rain down curses on anyone who harassed her for no reason.

Stop cyberbullying I feel this woman’s pain because I lived it If anyone tries to curse again s)))n Try to see #stopcyberbullying #ShayGang #rufftown.

In March 2021, she was named one of the 30 Most Influential Women in Music by the 3Music Awards Women’s Brunch.

]]>
Broadway veteran fearlessly takes on the music industry’s mega-exploiters https://wildtextileworld.com/broadway-veteran-fearlessly-takes-on-the-music-industrys-mega-exploiters/ Mon, 20 Jun 2022 15:34:05 +0000 https://wildtextileworld.com/broadway-veteran-fearlessly-takes-on-the-music-industrys-mega-exploiters/ A. Peter Bailey Band A. Peter Bailey Let’s start by introducing Chapman Roberts. In a biographical sketch distributed at a Carnegie Hall celebration of African-American cultural heritage, he is described as a “singer-actor-composer-vocal/choral arranger-bandleader-music supervisor-concert producer “. He is also a four-time Grammy Award winner and has been successful in show business for over 50 […]]]>
A. Peter Bailey

Band A. Peter Bailey

Let’s start by introducing Chapman Roberts. In a biographical sketch distributed at a Carnegie Hall celebration of African-American cultural heritage, he is described as a “singer-actor-composer-vocal/choral arranger-bandleader-music supervisor-concert producer “.

He is also a four-time Grammy Award winner and has been successful in show business for over 50 years. During this time, his vocal arrangements received acclaim in hit Broadway and West End shows which were estimated to be the recipients of at least 50 Tony and Olivier Award nominations. Productions arranged by Chapman Roberts have been nominated or won every musical theater award available worldwide. Chapman Roberts shows include Smokey Joe’s Cafe, Five Guys Named Moe, Blues in the Night, Eubie, Bubbling Brown Sugar and Your Arms Too Short to Box with God. Roberts is currently embroiled in a major showdown with the music industry’s “Big Boys” who for decades financially exploited the talent of black artists like him and their families. Roberts states that “the story of black musicians is that far too often they died broke.

It is generally assumed that their fate is the result of poor lifestyle habits and a lack of business acumen. It’s not always the case. The heirs of singer/songwriter Johnnie Taylor have been battling the world’s biggest music publishing house, SONY/ATV, for 21 years. Years of such caustic legal wrangling are a favorite delaying tactic of billion-dollar corporations whose pockets run much deeper than those of their beleaguered victims whom they have robbed and drained of their resources and legacies.

My case is the most recent and has yet to be revealed as THE BIGGEST CASE OF COPYRIGHT INFRINGEMENT AND PREMEDIATED FRAUD ON BROADWAY. I hope that my citing some cases as a framework for my current situation will also serve to shed light on the systemic pattern of generational wealth and intellectual property theft of some of the world’s most prominent black artists and their families in the skilled hands of the music and theater industry. producers and publishers.

It reminds us of the phenomenon of cultural appropriation in deliberately unexposed cases of copyright and copyright infringement, ranging from the iconic Bert Williams (1898), Isaac Hayes, Sam and Dave, Billy Strayhorn, Bill Withers, Tracy Chapman, The Isley Brothers, Little Richard, Michael Jackson, JC Johnson, Duke Ellington, to the infamous multi-million dollar cases of Marvin Gaye, Martha and The Vandellas, Chuck Berry, Howlin’ Wolf, Muddy Waters, Prince and many other Rhythm and Blues artists such as Ruth Brown, Bo Diddley and Buddy Guy.

Denying black musicians their copyrights has a history emerging from slavery Finds black artists paid lower royalty rates on four labels BMG’s review found four of its acquisitions paid black artists below the level of non-black artists on these respective labels.

So who are these dreaded “Big Boys” involved in this current, heretofore obscured showdown between “David and Goliath”? Among the well-armed gangs of super-powered exploiters who seek to crush Chapman Roberts are:

(1) the American multinational technology company called “one of the most influential economic and cultural forces in the world” and one of the most valuable brands in the world.

(2) The world’s leading independent developer, acquisition and management of recorded music,

(3) the world’s largest Broadway theatrical and film music publishing and licensing agent, and

(4) the world’s leading multi-billion dollar music publishing company, namely: (Broadway Royalty) Rodgers & Hammerstein Holding., Rodgers & Hammerstein Organization, Concord Theatrical Corp., Mike Stoller, the estate of Jerome Leiber a /k/a the Jerome L. Leiber 1997 Family Trust, Leiber & Stoller Productions, Inc., Broadway Asia, Inc., SONY/ATV Music Publishing, HBO and “The Colossal”, Amazon by Jeff Bezos.

According to Chapman Roberts, “Collectively, these scammers have knowingly, willfully, repeatedly and deliberately deprived me of rightful compensation for the substantial royalties owed and name credit for contributions to hundreds of unauthorized theatrical productions and dozens of thousands of video, film, television, and Internet streaming uses worldwide for over 2 decades.

Chapman Roberts is bringing these actions for gross breach of contract seeking compensatory relief from the myriad damages imposed on him to expose the pattern of grossly illegal acts by Broadway and the music industry. against him and others who have been maliciously robbed, defrauded of inherited wealth, stripped of their family’s identity as valuable artistic contributors to cultural society, and decried as fraudsters, troublemakers, and mere crooks seeking money because they dare to defy the odds and risk severe and relentless reprisals against them and their heirs for seeking full and undiscounted reward from what Roberts calls “nothing less than a cabal legally protected from thieves, unjustly enriched, parasitic, privileged, talentless, inherently empowered, socially and politically protected, artistically deprived, avowed, musically illiterate, cunning, personalized gangsters thinly disguised as managers, agents, promoters, producers and editors as if e These are a variety of culturally significant endangered species”.

In a stunning most recent development, a collective appeal by pompously confident music moguls to have Roberts’ precedent-setting case against them thrown out has been firmly dismissed by the New York State Supreme Court. As a result, fierce guilt infighting has erupted between the defendants themselves and some highly successful Broadway producers who initially participated in and largely benefited from a host of larceny offenses with arrogant impunity are suddenly skirmishing to alert their legal teams to reinforce their strategies. in preparation for the havoc of the inevitable embarrassing subpoenas, mob-style betrayals, pointing fingers and contentious backstabbings, expertly arranged, orchestrated and made public by the very gifted Chapman Roberts.

You see, what the ‘Big Boys’ didn’t realize when they took on Chapman Roberts is that he’s much more aware of what’s going on under the tables and backstage on Broadway and music industries than their usual targets. He is a highly experienced and resilient black artist with a superbly forward-thinking blend of talent, intelligence, keen vision, self-confidence, perseverance, common sense and daring.

This is very evident in every show he has been on, including the historic Black Stars of the Great White Way, which he directed, directed, arranged and co-produced with Norm Lewis. Co-hosts of the inspiring, educational, exciting and entertaining celebration at Carnegie Hall were Cicely Tyson, Phylicia Rashad, and Chita Rivera and Ben Vereen. Another giant of black culture, the late Ernie McClintock, said that “serious black artists aim to stimulate an awareness of the black experience and to express it through theater that illuminates that experience”. Maestro Chapman Roberts is a master at doing just that.

]]>
MzVee caps a decade in the Ghanaian music industry with ’10Thirty’ album https://wildtextileworld.com/mzvee-caps-a-decade-in-the-ghanaian-music-industry-with-10thirty-album/ Mon, 20 Jun 2022 14:34:39 +0000 https://wildtextileworld.com/mzvee-caps-a-decade-in-the-ghanaian-music-industry-with-10thirty-album/ To crown this successful “longevity”, Mzvee is back with its 5e studio album titled “10Thirty”. Announcing the album with an Instagram post earlier in June, MzVee said the title of the album was just a combination of his 10 years in the Ghanaian music industry and celebrating his 30 year.e birthday this year. “A woman […]]]>

To crown this successful “longevity”, Mzvee is back with its 5e studio album titled “10Thirty”.

Announcing the album with an Instagram post earlier in June, MzVee said the title of the album was just a combination of his 10 years in the Ghanaian music industry and celebrating his 30 year.e birthday this year.

“A woman who cuts her hair is about to change her life. »….. Cutting my hair was both amazing and scary! I am so ready for the next chapter of my life. Celebrating 10 years in the Ghanaian music industry and turning 30 in a few weeks,” she said on Instagram.

During a private listening of the album in Accra, MzVee said the album was very personal to him as it is his second album after going independent as an artist as well as his comeback after taking a year-long hiatus from music in 2021.

Recounting her journey, she said she had to take a break because she spent so much time trying to conform to what people expected of her as a music celebrity.

“That shift from being like a church girl and getting into entertainment was really tough for me. So, I took that leave and by the grace of God I came back the same and came back with so much vigor.

“Also, being one of the few independent female artists in the music industry hasn’t been easy. If you’re on a record label, they’re doing everything for you and me to get out there and three years later I’m still nominated for awards and things are going well, I’m really grateful,” she added.

MzVee posted the album’s official artwork on their Instagram page on June 10, writing, “Life is a journey of fate or fate. Your destiny unfolds as you complete the challenges of your life – 10 years in the game! The rise and fall! This is the story to tell! My story. #1030album released 6/24/2022 stay tuned.

The album has ten (10) tracks and features African music superstars like Stonebwoy, Tiwa Savage, Yemi Alade and Kwesi Arthur.

She said: “It was so much fun recording this album. It has a different feel and it took me about a year to finish. I recorded over 50 songs and we whittled it down to 10. songs. It’s like the usual recording process. It’s mostly vibes. I wrote some of the songs on the album and I’m really proud of those songs because when I have a private listening at home , some of the songs I’ve written are people’s choice.

Most of the songs on the album were produced by her personal music producer Kizzy Beats and she will officially launch it on June 24 and perform a concert there on June 25.e in Accra.

]]>
Fort Langley Jazz and Arts Festival Nominated for Canadian Live Music Industry Awards – Aldergrove Star https://wildtextileworld.com/fort-langley-jazz-and-arts-festival-nominated-for-canadian-live-music-industry-awards-aldergrove-star/ Sun, 19 Jun 2022 03:00:00 +0000 https://wildtextileworld.com/fort-langley-jazz-and-arts-festival-nominated-for-canadian-live-music-industry-awards-aldergrove-star/ Celebrating Canada’s exit from the COVID-19 pandemic, the Fort Langley Jazz and Arts Festival will feature a 98 square foot outdoor mural in collaboration with Kwantlen First Nation. Members of the public will also be able to participate in the collaborative “paint by number” mural, which will be a centerpiece of the festival on July […]]]>

Celebrating Canada’s exit from the COVID-19 pandemic, the Fort Langley Jazz and Arts Festival will feature a 98 square foot outdoor mural in collaboration with Kwantlen First Nation.

Members of the public will also be able to participate in the collaborative “paint by number” mural, which will be a centerpiece of the festival on July 23 and 24.

“The mural is a way to bring the community together in person to create a collaborative work that reflects the theme of reflection, recovery and rejuvenation,” said festival co-founder and artistic director Dave Quinn.

“We invite everyone to join us in painting this beautiful symbolic mural.”

The artwork will be based on a design by two Kwantlen First Nation artists – Elinor Atkins, whose traditional name is Miməwqθelət, which translates to “the first bird to sing in the morning”, and Noah Atkins, whose traditional name is Ncwaʕ, a very old name and held very close to the Joe family. It belonged to Noah’s maternal great-great-grandfather, who was born in 1818 and died in 1916.

Ncwaʕ was the chief of Shackan – the land of many small rocks.

The two Indigenous artists are brother and sister, who were selected through a call for proposals from Kwantlen First Nation artists. As the two artists lead the painting session, members of the public will be able to follow along and experience a mural painting first hand. Painting materials will be provided by the organizers.

“As a big sister, it’s an honor to collaborate with my brother on something beautiful to share with everyone in our unceded territories. It’s also a wonderful opportunity for us to practice traditional intergenerational knowledge transfer. and it’s a way for us as Kwantlen youth to engage with the surrounding community and share a bit about ourselves as Kwantlen people,” Atkins said.

As live music events return and local businesses breathe new life after two long years of COVID, it’s time to recognize those who have overcome adversity and successfully entertained communities.

For one of these honours, the Fort Langley Jazz and Arts Festival has been nominated for the 2022 Canadian Live Music Industry Awards (CLMA). The local organization will compete nationally for the Overcoming Adversity award.

The CLMA Awards will celebrate the live music industry in Canada across 19 categories.

“This is an incredible and long-awaited reunion of a community so hard hit by COVID-19,” said Karen Zukas

She also encouraged industry members to vote for the CLMA voting categories by visiting cmw.net.

When the COVID-19 pandemic forced the closure of live music events, the festival continued with its first live stream format in 2020 and then a hybrid event in 2021.

“It was a challenge, but we were thrilled to be able to continue to provide jazz fans and our community with performances featuring local, established jazz artists and emerging talent,” Zukas said.

“We learned from these new formats and produced two comprehensive resource guides on how to host a virtual festival with support from CreativeBC. We were excited to share the guides with other music festivals and non-profit arts organizations across Canada,” she continued.

Zukas also thanked the sponsors, performers, artists and volunteers for their support.

“It is through our community that we are able to explore, learn and expand the festival each year and deliver world-class performances and events to jazz fans around the world.”

For this year, organizers are all set to return with full in-person programs, offering over 60 bands on eight stages, art installations, a Kwantlen arts and culture exhibit, a kids’ zone and more throughout the community. .

For more information, people can visit fortlangleyjazzfest.com.

Arts & EntertainmentEntertainmentJazz

]]>
How BTS, the group changed the Korean music industry https://wildtextileworld.com/how-bts-the-group-changed-the-korean-music-industry/ Fri, 17 Jun 2022 09:58:32 +0000 https://wildtextileworld.com/how-bts-the-group-changed-the-korean-music-industry/ BTS, the K-pop sensation, has announced that they will be taking a break as they begin a new chapter as a group and focus more on their individual projects. Jin, Jimin, RM, J-Hope, Suga, V, and Jungkook reunited for a pre-recorded dinner party, which was streamed on YouTube the day after the group’s 9th anniversary. […]]]>

BTS, the K-pop sensation, has announced that they will be taking a break as they begin a new chapter as a group and focus more on their individual projects. Jin, Jimin, RM, J-Hope, Suga, V, and Jungkook reunited for a pre-recorded dinner party, which was streamed on YouTube the day after the group’s 9th anniversary. The hour-long conversation began with sharing stories of their old age and ended with a discussion of the path they want to take as a group now.

What is BTS?

BTS is a 7-member K-pop (Korean music community) group formed in 2013 by Big Hit Entertainment, a fledgling limited league that has now become a Korean entertainment powerhouse.

Bangtan Sonyeondan, which translates to “Bulletproof Boy Scouts” in English, was founded by CEO Bang Si-Hyuk to build a team that can resist social influences and serve as a voice for the younger population.

BTS, K-POP, Jungkook, korean music industry, Korea, i purple you, purple army, little heart, BTS Jin, Jin, Jin leaving BTS, BTS, BTS group, charlie puth, bts army, bts jk, jungkook
instagram

“No More Dream”, the team’s debut single, is an aggressive hip-hop track that appeals to the younger generation who don’t have their own dreams, challenging society’s learning norms for Korean youth. .

BTS has found great success in Korea and ultimately the world since their debut, securing their current position as the biggest boy group in the world.

BTS debut

On April 11, 1992, a hip-hop trio named Seo Taiji and Boys appeared on a national South Korean network in a talent contest.

By June 2013 and within a few years, with its eye-catching hits as well as social initiatives aimed at empowering the younger generation, K-pop had become a global sensation.

The group’s rapid rise has been accompanied by a large fan base and worldwide attention, and has also influenced other artists in the Korean entertainment industry.

BTS, K-POP, Jungkook, korean music industry, Korea, i purple you, purple army, little heart, BTS Jin, Jin, Jin leaving BTS, BTS, BTS group, charlie puth, bts army, bts jk, jungkook
Web Screenshot/LA Times

Along with numerous awards and accolades, the group has been invited to address the United Nations General Assembly, and a brief recent visit to the White House included talks with US President Joe Biden on ways to reduce violence. against Asian Americans.

BTS is also known for their emphasis on storytelling: As of 2015, a significant portion of their pop songs and supplemental content played into a main story that began with The Most Beautiful Moment in Life, featuring the members of BTS as the youngsters caught up. in heady personal struggles.

What makes the BTS army different?

The band’s global fandom was undeniably influential, and the band forced governments and institutions to sit up and take notice.

Seo Taiji and Boys were pioneers who challenged social rules in musical styles, song topics, fashion and censorship, which was unprecedented for a culture for which music production had been heavily regulated by the government since years.

BTS, K-POP, Jungkook, korean music industry, Korea, i purple you, purple army, little heart, BTS Jin, Jin, Jin leaving BTS, BTS, BTS group, charlie puth, bts army, bts jk, jungkook
Unsplash/representative image

In the 1990s, three major music studios started producing idol groups. The idol groups are meticulously perfected to present the highest levels of beauty, dance and musicality.

Idol groups have come to dominate the Korean entertainment industry, but the lives of idols are heavily laden with toxic and abusive components. They have systematically equalized the majority of individual expression and socially conscious music within the framework of the system.

In this atmosphere, a man named Bang Si-hyuk quietly began to build a different kind of studio and cultivate the group that became BTS. “We came together with a common dream to write, dance, and produce music that reflects our musical origins as well as our life values ​​of acceptance, vulnerability, and success,” the BTS frontman said. RM, at Time in 2017.

Tackle real-world problems

ARMY’s organizing and mobilization extends beyond social media to offline projects as well. Many of them are charitable in nature, inspired by BTS’s philanthropic work, which ranges from launching the Love Myself anti-violence campaign with UNICEF to creating individual donations on band members’ birthdays.

BTS, K-POP, Jungkook, korean music industry, Korea, i purple you, purple army, little heart, BTS Jin, Jin, Jin leaving BTS, BTS, BTS group, charlie puth, bts army, bts jk, jungkook
Twitter

OIAA, which stands for One In An ARMY, is a nonprofit organization that works with nonprofits around the world and encourages microdonations. Its 1st campaign, launched in April 2018 in collaboration with the non-profit organization Medical Teams International, helped provide medical care to Syrians.

What does “BTS ARMY” mean?

It’s a common practice for K-pop communities to give their fans meaningful names: ARMY is an acronym that stands for Adorable Representative MC for Youth and refers to BTS’s original idea of ​​being a voice and a shield. For the young.

However, this specific acronym is no longer commonly used, and ARMY has come to symbolize “army” more literally as the group of fans and supporters who stand alongside BTS. ARMY’s goal is to always support BTS, whether through streaming campaigns or using popular hashtags to celebrate members’ birthdays.

‘I purple you’

BTS, K-POP, Jungkook, korean music industry, Korea, i purple you, purple army, little heart, BTS Jin, Jin, Jin leaving BTS, BTS, BTS group, charlie puth, bts army, bts jk, jungkook
Twitter

Kim Taehyung, one of the vocalists of the 7-man group, first used the phrase at the group’s 3rd gathering (a fan club event) in 2016. Before ending their performance, Taehyung told fans: “I purple you”, while the cast lighting rays of purple light on the audience.

Fans have used the color purple to express their love for BTS ever since Taehyung coined the phrase.

For more news and current affairs from around the world, please visit Indetime News.

]]>